Problem
I love writing and I love reading. I also love coming up with all sorts of books/films in my head so that if I'm bored in real life, I can just dive into my imaginary book/films to entertain myself. I was kinda proud of some of the options I came up with so decided to try and write them down in a book!
It did not work . . .
Due to what my brain found entertaining, I had tweaked and perfected a wide variety of aspects of the book/films until I thought they were good enough, whilst the stuff I found less entertaining or important to change, was ignored. This meant that when I tried to write it down (even in a plot planning stage) I realised there were significant gaps and holes that I couldn't fix.
Part of my problem is I procrastinate hugely if something has even a small element of stress to it. I also have ADHD so am very bad at organising or sitting down to do something unless I'm passionate about it . . . which I am but it's a little stressful so I procrastinate. And so the circle continues.
So my questions is this; what do I do to get all of my exising ideas down, in a format that makes it easy to find plot (character, etc) holes and fix them? As well as in a way that isn't daunting or stressful.
Examples
Developed things
- I have my protagonist's background almost entirely sorted.
- I know her motivation, drive, what breaks her and generally who she is.
- I have come up with a plausible world that has a few tweaks necessary but on the whole is a sound and working idea.
- I know what my protagonist wants and therefore I have come up with ideas of how to stop her getting this.
- There are specific scenes that are HUGELY developed and I have been able to find links to both character and plot.
Undeveloped things
- I have the secondary protagonist and know roughly who he is but have no backstory for him. And therefore no motivation, drive or goal.
- I have multiple ideas for villains but none are very developed, if at all.
- I have no clue how I want the book to end. Only half-formed trash kind of ideas that I don't think would be good to use.
- I don't know how I want the book to start; I have 2 different ideas but they are both very different and would dramatically change the vibe of the plot.
- Similarly, I have multiple different ideas for the backstory of the book (history) but all would mean a big change for who the protag. is and what her drive is.
These are a few examples of developed and undeveloped stuff. The main problem is I don't know how the book starts or ends.