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If let's say one wants to portray a villain in a novel that suffers from insanity/psychosis as he has literally lost his grip on reality and is kind of living in his own world, what are the things a writer should avoid when he writes such a character?

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    I would skip the whole idea, since people with mental illness are already demonized. Isn't the psychotic villain overdone? – anon Nov 20 '17 at 22:09
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    This website has some excellent points to keep in mind when writing insane characters. The biggest point is to do your research into the particular mental illness your character suffers from in order to make them believable and compelling and avoid making them caricatured or offensive. springhole.net/writing/… – Kevin Nov 20 '17 at 22:36
  • Why not do a character reference, something like this for your villain character? Mental illnesses can still be involved, but doing an extensive ref shows you more of their reasoning. If you can figure out the core weakness of the character, then you can figure out how he got into his downward spiral. You can fins how he can be redeemed or defeated by the protagonist. writerswrite.com/journal/jun98/… – BugFolk Nov 22 '17 at 20:27
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I would avoid the following:

  • Stereotypes: it is very easy to describe cliches (screaming, sadistic violence, rage outbursts, contradictory or erratic behaviour, etc.) but they lead to a flat and not interesting character.
  • Irrationality: don't let your character do random stuff just because it "sounds crazy". A mentally insane person always follows its own rationality, even though it differs from the more common one.
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    I appreciate your reply to my question. – DarkYagami Nov 20 '17 at 20:24
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    Irrationality is a huge one. The most important part of someone who is "insane" is that they typically have a rationality to what they do, even if it is non-standard. Think of what makes Cersei Lannister interesting, she doesn't go around murdering on a whim, she has logic behind her actions, even if the logic is not very sound. – EvSunWoodard Nov 20 '17 at 22:20
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    @EvSunWoodard thank you! My favourite example here is The Joker in The Dark Knight. A crazy psycopath with a specific agenda, whose reasons are so beyond common sense that people fail to understand them, even if he spends the whole time by stating his message clear in their very faces. – FraEnrico Nov 20 '17 at 22:25
  • Also, consider the Unabomber, and why it took people so long to find him. He was highly intelligent, but used that intelligence to extend his flawed starting points. – TimH Nov 21 '17 at 19:44
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The main thing I see, in such a novel, is avoiding having this insanity be the equivalent of a deus ex machina that ultimately defeats him. I think the hero must defeat him in a way that would work even if he were not insane.

It would be an unsatisfying ending if after a long campaign in which Dr. Nutjob came close to defeating the hero several times, but finally gets distracted by something shiny so the hero can put a bullet in his head.

If your villain is insane but a daunting adversary throughout the story, he must be insane and a daunting adversary to the very end: His insanity can make him terrifying and unpredictable and thoroughly hated, but it cannot be the source of his defeat.

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    The "distracted by something shiny" (or any particular quirk related to being insane) can work if it's a Chekhov's gun. That is, if it's been established that the villain's particular brand of madness involves getting distracted by shiny things, setting things up such that the hero whips out a shiny thing to distract the villain in the climax can work (assuming it's not otherwise overly trite/telegraphed/etc.). -- But overall I agree with you. A deus ex "I'm insane, so I did something random that arbitrarily lead to my downfall" is unsatisfying. – R.M. Nov 20 '17 at 22:58
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    I agree with R.M. in one thing: The hero defeating the much stronger villain by exploiting his insanity can be a very satisfying climax. But only when the hero does it in a clever and unexpected way. So in a different way I agree with Amadeus: It's not a satisfying ending when the hero doesn't actually need to make some effort. – Philipp Nov 20 '17 at 23:30
  • While this isn't bad advice (especially to an inexperienced writer, I expect), consider Gollum as a famous counterexample. Tolkien, however, had explicitly set out to paint a portrait of a world where evil is both ultimately self defeating and a higher power (God by another name) ordains all things. Gollum's mechanism of self defeat was thematically appropriate. – jpmc26 Nov 21 '17 at 20:24
  • @jpmc26 I don't see Gollum as a counter-example, he was never a daunting adversary, or even the main villain. – Amadeus Nov 21 '17 at 22:43
  • @Amadeus I disagree. While he was no Sauron or Sarumon, he did pose a very real danger to the Hobbits. His sheer age allows him to possess enough knowledge of the world to influence events for good or ill. Remember that the Hobbits are largely hapless travelers, unaware of the world at large. And he ultimately poses a threat to all Middle Earth, even if just by behaving so selfishly that he allows the Ring to fall into Sauron's hands. This was built up slowly over the course of the entire story, and if handled wrongly, it could've easily been an unsatisfying end to his character arc. – jpmc26 Nov 21 '17 at 23:43
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Do your research before you begin, look for disorders and conditions that match the symptoms you want your character to portray and then add some of the other symptoms commonly associated with that disorder. This will help you to build a profile of your character as well as knowing what triggers their symptoms to manifest. Presumably you already have their motives so use this profile to determine possible actions that would make sense from their point of view. For example, if they suffer from schizophrenia they may have auditory hallucinations. Use that. Delusions of grandeur? They may struggle with people in positions of authority such as the police ordering them to put the gun down. You mention psychosis which is a very broad term and will give you a lot of options but may make it difficult to create your profile.

Since you want your villain to be in their own world you need a diagnosis that makes sense (insanity is no longer a recognized condition). Psychosis fits well but again, schizophrenia (a subset of psychosis) is a good match here. It can be brought on by extreme mental stress so it can be the result of trauma which gives you an opportunity to build their back story. Make the audience sympathise, after all they are victims, they are suffering and need help.

Once you can explain their motivations, your character must still be able to execute their actions. Are they constantly tormented by voices? Then how do they sleep? They're going to be exhausted. How do they eat? Perhaps they have to steal to eat in which case they will likely be gaunt and weak. This is someone to pity, not hate.

Perhaps you are thinking more along the lines of someone who is high functioning, they can't tell the difference between their reality and ours but they have learned to walk the line between them. This is going to make them less sympathetic to the audience (think The Joker from Batman), but what happens when they lose that tenuous grip? How do they regain their control? Confrontation from your hero could trigger their more extreme symptoms and leave them vulnerable so they may need a way to avoid this outcome. Perhaps trapping your hero helps them to remain in control.

OK, this was long and a bit rambling but here's a summary:

  • Avoid picking random symptoms, do your research and find the conditions that best match your vision
  • Actions should match motives
  • Develop a backstory for the audience to better understand your character, you can just provides hints if you don't want a full story
  • Ensure your character is able to execute their plans, if they struggle to get through the day they probably won't be able to function without help
  • Know your triggers, don't put your character in a situation that is likely to trigger their symptoms or if you do, ensure the outcome is realistic

Hope this helps

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Make the insanity questionable. Think of Macbeth, he falls into madness as the play goes on but he might not be diagnosable. "Insanity" can be brought upon by something other than a mental illness.

The villain can be tormented by his past and hell-bent on some other goal which he's just using to try and deal with the old trauma.

The villain can become a nihilist and expressing how nothing matters good or bad everything is relative and it doesn't matter if he kills a woman or loves her. (Ex. Hamlet: "Nothing is good or bad but thinking makes it so.")

The villain could be a fanatic of some sort of ideology or ideals, even if the ideology is well intentioned, the villain followed it to its natural conclusion and brought great suffering. (Ex. Government/Socialism/Communism)

Try to make the villain's insanity somewhat logical so the audience can understand them and see the villain in themselves.

2

Start by defining the insanity. Mental illness is a very very broad field: you need to narrow down what you mean by "insanity/psychosis"; give your character a defined condition, and write him with the correct characteristics and actions for that condition. You don't have to name the condition, or refer to it at all outside of your personal notes; just understand that insanity is not a case of just behaving randomly; there is always an underlying reason for any symptoms.

Pick any insane or troubled character you can think of from literature -- Don Quixote, Hamlet, Moriarty, Scrooge, Eeyore, or many many others -- for all of the good ones, it is possible to read the stories and come to a definitive diagnosis of the character's mental illness.

You need to write your character like that. If you don't, people simply won't connect with the character and will find them unbelievable.

  • Is Moriarty really troubled (as in insane)? The Moriarty from BBC's "Sherlock" definitely is, but I'm not sure about the original one. – FFN Nov 22 '17 at 20:18

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