3

In my novel, I intend to have the protagonist eventually join the group that killed his family and of his antagonist, and this will set the plot for a more massive arc of what I hope will be multiple books.

Is this going to muddle the hero's journey and conflict in the story? One thought I had is that in the first novel the protagonist will have a specific antagonist within the group that he will manage to kill or defeat.

I am trying to think of examples of this in literature as I know there are a few. As in GoT or other series, I intend to make my characters rather human and muddle the boundary of the typical good/evil dichotomy as to more realistically reflect the human experience.

My answer in my mind presently is to have the hero in the first novel defeat one specific antagonist in the group, or to have a broader supernatural antagonist.

My protagonist will likely reform the group that he joins

  • 3
    The missing element is "why" is he doing so. If there is a valid reason which is consistent with the character's arc, let it be so! – FraEnrico Oct 25 '17 at 7:24
  • In "Gangs of New York" DiCaprio's character joins with the Antagonist out of necessity. In "The Departed" his other character joins as a mole, as part of a deliberate plot. – Alexander Oct 25 '17 at 16:15
  • In The Hunger Games, Peeta is in the arena with Katniss. Peeta joins the worst faction in the arena, which is trying to kill Katniss. Katniss is puzzled by his decision, and feels betrayed, but we learn that Peeta did it in an attempt to protect her. It was a good twist and did not overly complicate the plot. You should be fine. – DPT Oct 25 '17 at 23:58
2

Is this going to muddle the hero's journey and conflict in the story?

Quite the opposite - at least if he has a reason to do this

Your character shouldn't join the antagonist group out of a whim. This should be treated as a major event. A turning point where you need to show the conflict of your hero in joining the people they despise.

Is there a common evil that the hero can only hope to compete against if he joins forces with his antagonists? The enemy of my enemy is my friend.

You might also want to make sure that the reader is clear about how long the protagonist is planning to join the group. Does he have a specific goal he wants to accomplish with their help? A hero probably wouldn't join the bad guys who hurt him before forever. Maybe he is waiting for a chance to destroy from their innermost centre by learning how they operate?

This could be used to show more conflict in your story. Maybe the bad guys are not all that bad. Or at least not every single one of them is bad. Maybe your hero finds valuable friends on which he can rely behind enemy frontlines.

My protagonist will likely reform the group that he joins

As before, ask yourself: Why would he do that?

What is his reasoning? And is it easy for him?

This is a good setup - if you think long and hard about the reasons and show your reader the inner conflict of your hero in doing this. Emphasize that this decision is not easy and try to repeat this throughout the arc, in ever changing ways.

Maybe at first he has thoughts about destroying them. Then he wants to help them. Then he wants to start another group to show them how to do it. And in the end he arrives at the decision that reforming them is the best way to go about this.

The details and depend on your story and the way you want to narrate it, but the setup is promising and leaves room for lots of opportunities - if you are narrating the resulting conflict as clearly as you can.

Your Answer

By clicking “Post Your Answer”, you agree to our terms of service, privacy policy and cookie policy

Not the answer you're looking for? Browse other questions tagged or ask your own question.