This is the oldest answer in the book, but I think it might apply here...
"Show, Don't Tell"
If the chapter that you have just written encapsulates an entire scene, setting up the stage on which your characters will perform, then introducing those characters, their attitudes and their actions,...
If it describes the consequences of those actions and then either builds to a break point, or establishes a smooth transition into the next scene,...
If it conveys not only the facts of what has happened, but also your character's individual motivations and goals...
and if it does all that in only a thousand to thirteen hundred words while simultaneously weaving artistry into the tempo and flow of the words...
then either you are truly gifted at choosing the perfect words, which succinctly yet beautifully paint the events of the scene in full detail upon the canvas of your reader's imagination...
or you are just telling them the bare facts of what has happened and hoping that their imaginations, unaided by any assistance from you, the author, will somehow grasp the beauty of what you are trying to describe.
You are writing fiction, not a police report. Brevity is not a prerequisite.