I'm a beginner manga plot writer. On the first season of my story I have a protagonist A.

How can I manage the second season if I want as protagonists the protagonist A from the first season and a new character B who appears in the second season? How can I switch between narrating about A's actions and B's actions without these POV changes become tiring for the reader?

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    Hi Kotas and welcome to Writers. I think a little background would be of use here: switching between characters and POV is perfectly natural, even if late to the game. Can you please add a bit of info on how this is a problem in Manga? – CLockeWork Nov 18 '14 at 13:16
  • I'm writing a light novel (if I can still call it "light novel" because it's about 100 pages :P) and then I will try to draw it as a Manga – Konstantinos Kamaropoulos Nov 18 '14 at 13:20
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    Is the problem switching between multiple first-person viewpoints, or simply between characters you're following closely? Is there actual narration? (I assume you're at a point where you're writing a script or outline.) – Goodbye Stack Exchange Nov 18 '14 at 14:26
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    @KostasLifeboy Using narration makes it even easier to switch between characters. Both viewpoints don't literally have to run in synch, in real time, consider “Meanwhile, at the Hall of Justice.” The only reason you'll miss something is if you leave it out. – CLockeWork Nov 19 '14 at 9:21
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    Sorry @KostasLifeboy, it's still not clear where the issue is. We want to keep down the number of comments on any question; could you please update your question with as much information (including details like you have given here) as possible to help make it clearer? – CLockeWork Nov 19 '14 at 10:12

This is a question with no one right answer, but if I were doing this, I might consider starting the second season with Character B and continuing up to the point where he meets Character A, and then backtracking to fill in on Character A.

The advantage is that Character B gets a strong solid uninterrupted block of narrative to establish himself. The disadvantage is that it may turn off readers who are already invested in Character A.

One way to address the new disadvantage would be to wait until the moment they meet to do Character B's story (as a flashback). Conversely, you could do Character B's story first, but add some foreshadowing of the importance he will have to Character A (i.e. have them visit the same locations, or pass each other on the street, etc.)

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