Giving out clues ahead of the protagonists gives away interest and thrill as a con, but it allows space to elaborate on the point of view of the characters involved, to point out their level of awareness or e,g why they though of a trap as something else.

Thrill is always in the curiosity but meaning isn't. If you are interested in doing both then you can give out some clues and preserve the rest, where you can make two analysis in your work and allow the reader to have the benefit but not all of it. Can you describe this work more ?

Giving out clues ahead of the protagonists gives away interest and thrill as a con, but it allows space to elaborate on the point of view of the characters involved, to point out their level of awareness or e,g why they thought of a trap as something else.

Thrill is always in the curiosity but meaning isn't. If you are interested in doing both, then you can give out some clues and preserve the rest, where you can make two analysis in your work and allow the reader to have the benefit but not all of it. Can you describe this work more ?