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S Jul 10, 2021 at 13:01 history suggested CommunityBot CC BY-SA 4.0
paragraph breaks, more useful title, typos, removed fluff
Jul 9, 2021 at 13:53 comment added Weckar E. @DWKraus ... Did you just describe The Room?
Jul 8, 2021 at 3:22 review Suggested edits
S Jul 10, 2021 at 13:01
Jul 7, 2021 at 22:45 comment added DWKraus BTW you might want to check out what the average word counts are for a novel in your genre. Even the genres that tolerate 100k word counts often expect shorter works from new authors. manuscriptagency.com.au/…
Jul 7, 2021 at 21:44 comment added wetcircuit Which character is the reader suppose to feel sympathy with, the person who discovers they've been betrayed, or the person who cheats and gets caught? POV is more than a floating camera. If we are learning about the cheater's internal conflict (their flaw, why they lapse) OK. But if it's just a way for a camera to follow the action into the boudoir, nah. We'll assume what happened and why – same as the character who is betrayed. If we're not learning anything different to the obvious, it sounds like a mismanaged narrative voice.
Jul 7, 2021 at 21:37 comment added DWKraus If you want to show the infidelity, instead of just having it brought up (to make it more sympathetic?) then I don't see a problem with shifting POV, especially when the MC is not available to BE the POV. Otherwise, you don't even need to reveal the infidelity, it could be a rumor with the POV character discovering evidence, or they would have a blow-up fight where the MC or the minor character reveals/suggests the infidelity to be hurtful to the other person. It's entirely a style thing. There's a hundred ways to do this, and all can be good or dreadful. Sorry, that's not exactly an answer.
Jul 7, 2021 at 19:31 comment added August Tran Btw its all in 3rd person. Like 3rd person limited. Or should it all be 3rd person??
Jul 7, 2021 at 19:01 review First posts
Jul 8, 2021 at 16:49
Jul 7, 2021 at 19:00 history asked August Tran CC BY-SA 4.0