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Stories, even realistic ones, don't take place in reality, but in a simulation of reality --realism is "just another style." And even stories without any overt fantastic elements exist at least partially in a more mythical and iconic realm, because that, psychologically, is how we experience narrative.

Some writers embrace this, and some don't. It's a stylistic choice, not a marker of quality or the lack thereof. For authors that consciously or subconsciously resonate with it, things like unusual physical characteristics can be part of an overlay of symbols that give the story more of a three-dimensional presence at the mythopoeic level.

With that said, thisThis can, of course, be applied poorly, crudely, inappropriately, offensively, thoughtlessly, or in a painfully clichéd fashion. But the same can be said for any tool in the writer's toolbox.

Stories, even realistic ones, don't take place in reality, but in a simulation of reality --realism is "just another style." And even stories without any overt fantastic elements exist at least partially in a more mythical and iconic realm, because that, psychologically, is how we experience narrative.

Some writers embrace this, and some don't. It's a stylistic choice, not a marker of quality or the lack thereof. For authors that consciously or subconsciously resonate with it, things like unusual physical characteristics can be part of an overlay of symbols that give the story more of a three-dimensional presence at the mythopoeic level.

With that said, this can, of course, be applied poorly, crudely, inappropriately, offensively, or in a painfully clichéd fashion. But the same can be said for any tool in the writer's toolbox.

Stories, even realistic ones, don't take place in reality, but in a simulation of reality --realism is "just another style." And even stories without any overt fantastic elements exist at least partially in a more mythical and iconic realm, because that, psychologically, is how we experience narrative.

Some writers embrace this, and some don't. It's a stylistic choice, not a marker of quality or the lack thereof. For authors that consciously or subconsciously resonate with it, things like unusual physical characteristics can be part of an overlay of symbols that give the story more of a three-dimensional presence at the mythopoeic level.

This can, of course, be applied poorly, crudely, inappropriately, offensively, thoughtlessly, or in a painfully clichéd fashion. But the same can be said for any tool in the writer's toolbox.

1
source | link

Stories, even realistic ones, don't take place in reality, but in a simulation of reality --realism is "just another style." And even stories without any overt fantastic elements exist at least partially in a more mythical and iconic realm, because that, psychologically, is how we experience narrative.

Some writers embrace this, and some don't. It's a stylistic choice, not a marker of quality or the lack thereof. For authors that consciously or subconsciously resonate with it, things like unusual physical characteristics can be part of an overlay of symbols that give the story more of a three-dimensional presence at the mythopoeic level.

With that said, this can, of course, be applied poorly, crudely, inappropriately, offensively, or in a painfully clichéd fashion. But the same can be said for any tool in the writer's toolbox.